Showing posts with label sea lore. Show all posts
Showing posts with label sea lore. Show all posts

Friday, January 11, 2019

Why Is Pinocchio In Aquaman? (spoilers hidden)

We did not expect a specific repeating reference to a fairy tale in the current blockbuster Aquaman (about to hit the billion dollar mark this weekend), yet there it was: Pinocchio. Not exactly the fairy tale you'd expect to get nods in a DC superhero movie, but the references are very deliberate and repeat often enough throughout the film in such particular ways that it's clear there are supposed to be parallels to Aquaman's own story. Who'd have thunk?

Quote from Jason Momoa doing publicity for Aquaman
Just to get this part out of the way, our opinion is that Aquaman is a ridiculously fun and silly adventure that - thankfully - has its tongue firmly planted in its cheek for most of the time, has incredible (and fairy tale-like) visuals, and overall reminds us of kids playing with their action figures, who then grew up and turned those imagination games into something you can now see on the big screen. It suffers a little from an identity crisis, being an odd mash-up of Star Wars under the sea + Indiana Jones + Lovecraft (because why not?) all held together somewhat loosely with Arthur pulling his proverbial sword from the stone, but isn't that what playing imagination games tend to be like anyway? While it is far from perfect, there's no doubt it has the spirit and love of the original comics (and weaves in an astonishing number of DC easter eggs and nods throughout) and still manages to be fun for many who have never cared about Aquaman before. It also has a very blatant ecoconscious message that all by itself had our audience cheering (and likely made them much more forgiving of the movie's imperfections).
Aquaman 2018 promotional hot of the undersea warrior factions
Mondo X Cyclops poster by Jessica Seamans
We're not comic experts here (our focus has been rather narrow in that genre, concentrating mainly on Bill Willingham's Fables) so we don't have the inside track on fairy tales the DC Aquaman comic series has referenced in the past (you may wish to hit up Adam Hoffman on those questions!) but director James Wan wasn't afraid to nod to pop-culture versions of fairy tales when he could slide them in* (see end of post for examples). Wan has also shown a lot of delight and enthusiasm for the variety of Aquaman memes popping up all over the internet. It's clear this project had a lot of joy and childlike play in the creation of it, and that leaks through to the audience very well. This childlike sense of wonder and fun is underscored by the way the film opens and ends with a very fairy tale-like narrative (sadly, a little clunky in execution), so the audience does appear to be invited to consider this a kind of epic fairy tale (or a combination of tales, as Atlanna - Aquaman's mother - clearly has a fairy tale of her own).


Pinocchio, however, was mentioned specifically twice by name. There was even a picture book involved and, using visuals and some props, the fairy tale obliquely underscored Aquaman's journey. While the movie clearly uses the Sword in the Stone legend as a basis for Aquaman's rise to hero (yes, Aquaman's surface name is Arthur, no it's not a coincidence), the Pinocchio theme is (generally) much more subtle**. The rise to hero (more than just-king) happens alongside Arthur learning who he is, accepting himself and, eventually making his own choices rather than being pushed into a role (that is, used as a puppet). It also shows him early on deliberately playing the fool, only to reveal there's much more to him (and his understanding of the world and classic literature and mythology) than first appears. But there are other strong references too - both visually and in the script.
SPOILER ALERT
(highlight incomplete paragraphs below to reveal hidden/spoiler text): 
- Right when Arthur is seemingly defeated, he narrowly avoids death by escaping into the mouth of a whale when he uses his 'speaks to fish' powers (which includes all sea creatures) and asks it to let him and Mera in. The visuals are very specific and the nod to the fairy tale is very clear.
- Extra trivia: if you play the video game Kingdom Hearts you will know that Monstro is both a character and a world that needs to be defeated. Once you conquer Monstro you're finally allowed to go to Atlantica aka The Little Mermaid's underwater home aka Atlantis.)
- Arthur's personal journey, as well as clues to how he might overcome his adversities and enemies, is also foreshadowed in the background when he's a small child. His mother is telling him stories, holding a fork, by the way, and in the background, there's a wooden Pinocchio doll sitting upright.
- When Arthur is taken down to the ruins of old Atlantis and he is convinced to go on the quest, there is a puppet-doll sitting at the bottom of the ocean too, albeit a creepy one as this prop does double duty as a nod to the director's previous horror film The Conjuring, as well as letting us know it's going to get a little Cthulhu-like before there's any real 'win' for Arthur).
- Later, in Italy (of course) during the search for lost-Atlantis (aka the Indiana Jones sequences) a child is at a fountain and is given an Atlantean coin by Mera, which the child uses to make a wish. Mera causes the water to form into dancing dolphins, which delights the child who runs away to tell others and returns to gift Mera with a book, specifically Pinocchio (an illustrated Carlo Collodi picture book, not a Disney one).
- Mera flips through it, sees the whale scene, and accuses Arthur of getting his ideas from a fairy tale. Cue the odd line about "from the movie not from the book" which hasn't landed with the audience as it was supposed to.
END SPOILERS

Quote from Director James Wan, commenting on the creation of Aquaman
The scene with the book is also near a turning point in the movie, in which Arthur truly starts embracing his mixed heritage and finding his unique way through. As whatculture.com puts it: "It's all executed a bit awkwardly, to be honest, but it's nice that the DCEU (Ed. note: Stands for DC Extended Universe) is even trying to be allegorical at this point." (source)
[Side note: We find it very interesting that it's Pinocchio, not Jonah, that is the model here, but a fairy tale allegory likely works better than a biblical one in such an effects-filled fantasy. Jonah isn't generally considered a puppet or pawn, or needing to find his real self (though a case could be made for it). Pinocchio is the clearer - and safer - choice. With the threat of world catastrophe being a solid theme, Jonah would have worked allegorically in this aspect too (in the Bible, God threatens the great city of Ninevah, aka capital of the Assyrian empire - think "ancient equivalent of New York" - unless Jonah goes and warns them and they repent) but it would seem the filmmakers wanted to concentrate on Arthur's personal journey more, which the Pinocchio parallel does well. Another note of interest is that Pinocchio is usually referenced with regard to truth and lies, but that wasn't the focus at all, especially as far as Arthur's character was concerned. It's refreshing to see Pinocchio being a touchstone in a different way. ]
Apart from the fantastic and colorful underwater cities and cultures, the most powerful scenes, visually speaking, are the Lovecraftian ones. (They truly are cinematically stunning!) These sequences too could be considered to reflect some darker aspects of Pinocchio. Interestingly, we noticed some common threads between the semi-successful Speilberg sci-fi updating of Pinocchio, A.I. Artificial Intelligence, and this much darker section of the film, especially with regard to themes of loneliness and abandonment. Though Mera makes for a formidable, non-distressed damsel/partner through much of the film, it's clear at this point Arthur has choices he needs to make by himself. Although there's no blue fairy in Aquaman (SPOILER - highlight to view: we think a kaiju blue fairy would make for a very interesting interpretation! And Julie Andrews really does have the perfect voice for that dual role...            END SPOILER), Arthur's final personal challenge before the film's action-packed ending has much of the same atmosphere of soul searching and surrender that Pinocchio and David (in A.I.) exhibit at the same juncture of their stories. It should be noted, though, that Arthur's journey quickly transitions from "I'm a real boy" to being crowned "superhero" and a very crowd-pleasing finale.
Aquaman (2018)  rides a sea dragon
We'll finish on this note of observation. In social media, the response to Pinocchio appearing in Aquaman has been interesting. A good portion of folks are basically saying: 
"Did Aquaman make me want to watch Pinocchio again? Yes. Yes, it did."
We can't complain about that.
*  *  *
Fairy tale art bonus of the day:
Below is the gorgeous Pinocchio painting by John Rowe for Disney Fine Art, that we had a bit of fun with for the header. Kudos to John Rowe who is the amazing artist of this dynamic piece!

Pinocchio - The Wrath of Monstro - Geppetto by John Rowe

One of the many meme posters created from
the original, this one reflecting the
strong eco-theme in Aquaman
Note: You may also wish to check out this article: How Cinema’s New Aquaman Draws on the Mythology of Ancient Sea Gods


Footnotes:
*At a glance: Disney's The Little Mermaid - at least 4 specific ways, more if you're keen - it even begins with a fairy tale-like narration, just in case you were missing the point; in a flip version of The Little Mermaid tale, man finds wounded silent/feral sea woman, rescues her, falls in love; woman eats goldfish in a very Splash like/little mermaid manner, tridents and forks are interchangeable at points, that red-red hair of Mera's and her seriously-mermaid-y outfit; the whole "part of your world" yearning (which may even have been said aloud at some point); an octopus plays the drums, though to be fair, this is actually DC canon).

   Moana - the very Maui-like vibe Arthur/Aquaman plays with [the star, Jason Momoa, has Polynesian heritage too], as well as the visuals like his tattoos which are quite specific, and there's even a giant hook used at one point.

** There is a particular line of dialogue about Pinocchio "the movie versus the book", that has a bunch of the audience scratching their heads over why that was said. We think this was supposed to be rather more sly than it came across, and was really just a clumsily layered joke referencing DC vs Disney, true fans (comic readers) vs new fans (moviegoers), and Arthur playing into Mera's impression that Arthur was a bit of a blockhead (puppet pun intended), though it's quite clear in the surrounding scenes that his upbringing included a good grounding in classical history and literature.

Thursday, June 29, 2017

The Summer Program of 'Carterhaugh School of Folklore & the Fantastic' Illustrates Why Fairy Tale Scholars Study Legends (And Now You Can Too!)

Carterhaugh is where it's at for Summer folklore and fairy tale studies this year! (Carterhaugh School of Folklore & the Fantastic, that is.) And time is running out to sign up!

Did you just need a little reminder of the awesome awaiting you to complete that registration?
Go directly HERE to sign up BEFORE MIDNIGHT this FRIDAY.

Need some more background before you commit? Happy to help.

We highly recommend CarterhaughSchool's courses but why do we love Caterhaugh's founders and professors, Brittany Warman and Sara Cleto (and their sometimes-guest-lecturer Shveta Thakrar) here at Once Upon A Blog? It's not just because these ladies are passionate about all aspects of fairy tales, combining formidable scholarly-chops and research with accessibly-lovely whimsy and humor (because they most definitely do!), but because they make their courses appeal to a wide range of folks. They're inclusive and lay-friendly, while remaining challenging and engaging for the experienced scholar as well. Their materials combine the best of old world research and resources, with the tech-savvy and visual eye candy that appeals to critical, yet hungry contemporary fairy tale folk. They're fresh yet grounded, and have helpings aplenty of brains and beauty in the presentation and the content. Best of all, they specifically encourage personal development along an individual's chosen 'path' (scholar, writer or artist) for the final assignment so you can make your study relevant to your personal life and journey. Like folklorists tend to do, the study becomes part of the student's actual life and experience.

Here are Sara and Brittany doing some 'field research' for the Legends course about to begin (which they turned into a fun commercial):
These ladies are a hoot! We love that they're prepared to jump into fairy rings!

Image by Comfreak at Pixbay

And may we just say: don't be fooled by all the prettiness coming your way via Caterhaugh. While they admittedly love (and are in favor of) beautiful fairy tale things, these ladies are the real deal and fully qualified to give your brain a good work out too. (They just have also been blessed with good aesthetic taste as well!)

To give you a sense of where it's possible to go with them in discussions and study, we recommend listening to their awesome interview and discussion on inclusivity in fairy tales with the for Hugo Finalist SF/F podcast The Skiffy and Fanty Show. You might be surprised at the depth they go to in the hour long show - which we recommend making time to listen to, even if you have to do it in sections. It's too good to miss and inclusivity is something we need to be especially aware of at this point in time.

But back to Caterhaugh's current offerings - WHICH ARE STARTING UBER-SOON.

This time around these fairy godmothers of folklore and fairy tale studies are bringing us a long course (ten lessons over ten weeks) on LEGENDS. But wait: why are fairy tale mavens teaching a whole course on legends? Legends aren't fairy tales, right?

Ah - but they have so many delectably overlapping features, you'd be hard pressed to find a fairy tale scholar who doesn't also do their fair share of reading and study on legends simply because they can't help themselves! Brittany and Sara wrote a short and delightful article to explain. It's titled:


And we also highly recommend their 10 Reasons to Study Folklore - (two words: 'ceiling cat') which should provide a good bridge into the upcoming course on Legends as well.

We'll wait while you check it out... *whistling, rocking back and forth on toes, more whistling...*
Arthur Rackham
You're back? Great!

Here's a taste of what's to come:
"We’ll look at supernatural legends, urban legends, and historical legends, leading you through the woods beyond King Arthur’s court and into a fairy’s grotto and out again into the haunted synapses of the internet. "

Now that you're convinced, here's a peek at the (tentative) course schedule, broken into three awesome units:

July 1st – Introduction to Legends
Supernatural Legends UnitJuly 8th – Fairy Legends
July 15th – Vampire Legends
July 22nd – Cryptozoology Legends
July 29th – Sea Legends
Urban Legends Unit
August 5th – Ghost Legends
August 12th – House Legends
August 19th – Internet Legends
Historical Legends Unit
August 26th – British Legends
September 2nd – American Legends & Wrap Up
Do you feel your eyes getting bigger with each section? We do! 

But then we read 'Cryptozoology'. Gah. That settles it. The FT Newsroom Little Leaguers are going to be mighty upset with us if we don't get on board this train! (And if Gravity Falls is mentioned and they're not allowed to participate, there might just be a mutiny!) We'll have to triple check we can do this course on the road. (Brittany tells us: as long as you have regular access to the internet, you can!)
So guess what we've just added to our Summer program?

Just like with the fairy tale long course, you can read a summary of how it works around your personal schedule HERE, with a list of the dates of each set of materials being sent and the lectures and additional teaching material becoming available, as well as your unique Carterhaugh keepsakes (in the form of beautifully designed Grimoire pages for you to build your own magical book of knowledge). 

You can register HERE but it must be by midnight, June 30th 2017, EST - THAT'S THIS FRIDAY MIDNIGHT EST FOLKS!

The course will be conducted through video lectures that will be accessible on the dates listed below, but all the materials will be yours to download and interact with whenever you choose (so don’t worry if you can’t play on those specific dates!) The price for this 10 lesson class will be $200, payable in one, two, or four installments. Full payment must be complete by the time registration closes on June 30th at midnight. Aside from the videos you will also receive the PowerPoint presentations featured in the video lectures, a beautifully made PDF “grimoire page” summary of each lesson, and any supplementary reading. This material is yours to keep and download for personal use! 
There will be a final assignment prompt for which you may choose the path of the scholar, the path of the writer, or the path of the artist. Personal feedback on completed final assignments is available upon request – we would love to see what you come up with! 
Dates: July 1st, 8th, 15th, 22nd, 29th, August 5th, 12th, 19th, September 2nd – note that these are simply the dates that materials will be posted! You will be able to download everything and watch whenever is most convenient to you. 
Total Number of Lessons: 10 
What’s Included: Welcome Letter, 10 Video Lectures, 10 PowerPoint Presentations, 10 Beautiful PDF “Grimoire Page” Lesson Summaries, PDFs or Links to Any Supplementary Reading, Personal Feedback on Completed Final Assignment if Desired 
Any Additional Materials Needed: No 
Registration Closes: June 30th at Midnight 
Price: $200 – you can pay in one, two, or four installments! Full payment must be complete by the time registration closes on June 30th.

Monday, August 3, 2015

Cabinet des Fées Releases A Wonderfully Gorgeous Issue in "Something Rich & Strange" (Review of Vol 1, Issue 2, Aug 2015)

A preview of what's to come TOMORROW!

Thanks to the kind folk at Papaveria Press for generously giving me a wonderful preview of Cabinet des Fées' latest sea-themed anthology of short works and poetry, and allowing me to gift myself with a lovely post on my birthday, in announcing the release slightly early, complete with permission to give you sneak peeks - of my choice! - at some of the wonderful writing!

'Presents' (aka excerpts) are below...

But first a look at the 'greeting' to readers and a list of tales and tellers:

 
The whole issue is beautiful to behold and the words are captivating too. The editors and team at Papaveria Press have put a lovely combination of art together - of words, images, fantastical tales and personal reflections. It's a very beautiful feather in an already very lovely hat!

Scheherezade's Bequest Volume 1, Issue 2. SOMETHING RICH AND STRANGE: TALES FROM THE SEA called authors to draw from folktales, personal experience, and the vast ocean of the imagination to reveal selkies, mermaids, sea nymphs, the great flood, and more in this wonderful collection of short stories and poems, each one a siren song luring us into the waves. This issue continues our tradition of offering original fairy tales and retellings of the old stories that leave us with a sense of wonder, a sense that something rich and strange is always just around the corner. 

There's a wonderful variety in the volume and yet there is a consistent feel of ebb and flow as you read through the various offerings. 

Some are amusing (for instance, a trickster Shower Muse), some have a distinctly different premise to the usual mer stories (like the mysterious, fathomless Lake of San Ezequiel, appearing alongside a desert town). 


There are turns of satisfyingly happy endings and tragically true endings. 


Mixed in is a wonderfully satisfactory amount of selkie stories with an unusual perspective (like Salt, which follow the motif of salt water in all it's forms through a selkie story and the subject of consent) and riffs on The Little Mermaid too, (like Sisters that looks at the issue of mermaids and souls in the best way I've read to date) without either dominating the issue.

As I mentioned above, I was gifted with choosing some excerpts to share with you and I have to tell you this was more difficult than I at first imagined it would be!  

I've finally chosen, in the end to share just a few excerpts to show you the variety of language, since I found it so difficult to choose favorites, as well as a few of the author notes on how they came to be inspired. The author's notes are just as fascinating as the stories themselves!

Please click on the excerpts and selected author's notes to read them full size. 

I think you'll be drawn in as quickly as I was and want to keep reading.

And as for a peek at the tales... take a look below:
This is only the beginning of a truly different version of The Little Mermaid, and one you'll love, especially if you love Andersen's tale or any variant of it.

"...people were a bit like fish..." and suddenly I couldn't help but begin to make comparisons myself! This story is the story of a girl and the story of a soul... and fish.
I dearly wanted to show you more, to show you how salt weaves through the life of this seal-woman, her husband and her children but I will leave that for you to discover on your own.

I hope you've enjoyed a special preview of the issue. Thank you again to the folks at Cabinet des Fées for this lovely gift today.

The paperback issue of Something Rich and Strange - Tales From the Sea is already available to order via Amazon HERE.