Showing posts with label illustrations. Show all posts
Showing posts with label illustrations. Show all posts

Saturday, March 4, 2017

Amanda Allen Niday's 'Protesting Princesses'

Inspired by the recent Women's March around the nation and the globe, artist Amanda Allen Niday, created a 'Protesting Princesses's series, reimagining Disney heroines in the Women's March series. It quickly went viral and caught the eye of Teen Vogue.

Teen Vogue, once considered a fluffy distraction for teens into fashion, is a magazine that's quickly gained respect for recognizing that young people can - and should be - as politically aware as their parents, and that having a penchant for gorgeous shoes and lipstick isn't at odds with that. Teen Vogue, with their finger firmly on the social pulse these days, didn't waste any time getting an interview with Ms. Niday.
Here's an excerpt:
Would Disney Princesses want to be a part of the revolution? Illustrator Amanda Allen Niday thinks so, and thanks to her, we have an idea of what they’d say.
“I felt inspired by the way women expressed themselves on their signs, from the witty and charming to the downright scathing. Women coming together from all backgrounds to say "we are HERE and we MATTER’.” she said. “I wanted to hold onto that message as my newsfeeds dissolved back into squabbling and finding faults in our difference, rather than understanding.” 
...Niday designed a sketch of each major Disney princess holding a protest sign that incorporated a quote the princess actually said in their movie. 
“I didn't want to put words into their mouths. I believed their narratives of overcoming struggles was powerful enough without me trying to force something else on them,” she said.

... She told Teen Vogue she used Disney Princesses for the project because she feels Disney has been making an effort to use the cartoons to remind girls that they’re brave, strong and valuable and wants to pay homage to that. To her, the princesses’ stories of resilience symbolize what girls or women can or should do.

But she also recognizes that women can protest in their own way.
 
“Being strong when you are being told you are weak is a form of protest. Being yourself when you are being told that isn't acceptable is a form of protest. Never giving up hope is a form of protest. I wanted to show that we can control the narrative,” Niday said.
You can read the whole interview HERE.

Want a copy of those posters for yourself? You can get that HERE at Society 6. They also have the options of t-shirts, totes, bedding... and much more.

Sunday, November 6, 2016

'East of the Sun, West of the Moon'-Inspired Designs Walk on Water for Fendi's 90th Anniversary


Note:
At this time of great tension, immediately prior to the 2016 US election, we've decided rather than dwell on those anxieties, that we'd focus on beauty - call it eye candy, if you will - but either way, it lifts the soul and reminds us not all the world is an ugly place right now. Our posting will likely be a little sparse or very brief, over the coming week as things unfold and, hopefully, resolve, but we believe in the power of beauty and stories to ground people and aim to make the world a better place, and we will continue to be here to note it as we can. 

For all those US citizens who can vote, please do that: vote, no matter which side you lean toward, and please choose wisely: think of the future of your/our children, and of the world. You are choosing the future for more than one country and more than one people. It's that important.

In the meantime, we assume there is no real deciding left to be done, only to wait for the polls to open, so let's think on lovely and inspiring things.
“In my wildest imagination, I never thought something like this could exist,” he mused in a pre-show conversation. “To do this on a crystal bridge over the most famous fountain in the world? If that’s not a fairy tale, I don’t know what a fairy tale is.” (CREATIVE DIRECTOR, CHANEL, FENDI - KARL LAGERFELD)
Rome's famous Trevi fountain, after a one and a half year $2.4 million rehab, recently added to its already existing fairy tale status by becoming the stage for Fendi's 90th anniversary Legends and Fairy Tales Collection debut. A crystal-like walkway was built right over the water, (out of plexi-glass) and the models, walking on the water (yes - ON), told Fendi's own spin of East of the Sun, West of the Moon, in the procession of Kay Nielsen inspired wearable art over the evening.



The collection spun its own tale: a princess journeying from day to night, the colour palette darkening as she travelled further into the woods. Consistent throughout was the subtle application of Fendi’s extraordinary craftsmanship, the way, for instance, an insect’s wings illuminated by sunlight were duplicated in a tiny clutch of feathers, or the flowers around the hem of an organza dress had petals of mink. (Business of Fashion)
"It is an extraordinary experience to see East of the Sun and West of the Moon take on a totally new life in the hands of Karl Lagerfeld at Fendi, and it's an absolute delight to see how the images so directly inspired his breathtaking 90th anniversary show," stated editor Noel Daniel. "The artistry and craftsmanship and love behind each flower, each branch, each hue of sky is unbelievable. The tales have proved yet again to be eternally inspiring." (dexigner)
The inspiration began with the recent TASCHEN release of Kay Nielsen's beautiful illustrations and developed from there.
It all started with an early 20th century edition of East of the Sun, West of the Moon, a Norwegian fairy tale with pictures by the famous children’s book illustrator Kay Nielsen, which Lagerfeld found at his friend Sandy Brant’s place. His curiosity was piqued. “This was something from the North, we were making a fur collection, and the pictures were something in between art nouveau and art deco,” he explained. (It was also, coincidentally, an era when the designer liked the way fashion used fur, as opposed to later decades when everything got much too heavy for him.) “So we asked the estate for permission to use them.” And that is how Nielsen’s illustrations came to be reproduced in a minutely-intarsia-ed mink coat, or embroidered on a flowing empire-line gown then re-appliqued with fur and organza. (Contemporary artists Katy Bailey and Charlotte Gastaut also contributed ideas.) (Business of Fashion)

Lagerfeld explained, “I called the show Legends and Fairy Tales, because it’s a collection that doesn’t relate to everybody like ready-to-wear, this is very special for people who have a special kind of life”. (hausmag)
We didn't report on this back in July during the event and, frankly, fashion is a little difficult to keep track of, as fairy tales are commonly linked with fashion, and it's almost always possible to find a connection. While that's historically been the trend, one could argue it's more so the case today, with much more emphasis on a theatrical and 'transportive' presentation of themed collections.


Today, while themed collections often tell stories through their clothes and construction, the runway shows themselves are no longer just platforms for models to parade the designs, but are expected to build an atmosphere of fantasy and of a different world. It's not uncommon, even, for these stages to be specially built to specific design specifications, just like a theater set, but to involve mechanics and moving parts, revealing either the paths to be trod or the models, acting as the 'prelude' to the show, or story, being modeled in the wearable art that follows.


We greatly recommend you look at this incredibly artful behind-the-scenes video, showing the design and construction process right through to the show. It's short but leaves us wanting much more in terms of the tales hinted at in the seams. We are seriously considering keeping this little wonder-peek for our fairy tale library and future inspiration:

This video is enough to make us seriously consider a change in vocation!

We'll leave you with more lovely designs reflecting Nielsen's inspiring fairy tale illustrations. (We're guessing you won't mind the few overlaps necessary to show you the range of the collection.)










              
              
              


Tuesday, October 25, 2016

Virginia Lee's 'The Frog Bride'


The AFTS Member Ezine Issue 02: The Frog King, or Iron Henry, is out!
Note: If you are a registered member of the Australian Fairy Tale Society (ie your membership fees are paid up to date), and haven't yet received notice via email, along with the link and secret password, please contact the AFTS via Facebook private message HERE or email them directly at austfairytales@gmail.com. They'll hop-to-it and get your goodies to you ASAP.
We've had frog kings, frog princes and frog princesses on the brain for weeks now and in celebration of completing a great compilation of new frog-themed fairy tale works, packaged into the unique fairy tale magazine, we thought we'd share mythic artist, Virgina Lee's lovely, lovely book The Frog Bride, based on the Russian tale The Frog Tsarevna - a story we love and wish we could have explored much more in the last issue.

Here are her notes (from a couple of years ago) on her first children's book, published in 2008:
My first children’s book ‘The Frog Bride’, undertaken 7 years ago, is a shortened version of The Tsarevna Frog, a traditional Russian folk tale retold here by Antonia Barber. It features a slightly camp Prince Ivan with Princess Vassilisa, who has to take her frogskin off and put it on again, rather a lot. In this quest for true love and acceptance, Vassilisa tirelessly tries to impress and capture the hearts of the prince and the royal court by performing her magic and revealing her innate beauty, when all she really desires is to be fully accepted for her less desirable appearances and habits, frogskin and all. 
 I didn't actually write it myself but it was my choice of story. I chose it mainly because I wanted to illustrate a girl taking off a frog skin. I'm always drawn to the physical transformations in stories and what they symbolize. 
Virginia Lee put a lot of love and artistic skill into the illustrations in this book and it could use some more attention (ie. sales) to boost the demand for more gorgeous illustrated books like it.

Enjoy! (And then go grab yourself a copy, if you haven't already.)


Don't you just love the hung-up frog skin in the wardrobe? Such a lovely touch!

Note: the paperback version has this cover below.